Giulia Andreani will discuss her work at a finissage event celebrating the artist’s first institutional solo exhibition in Germany, Sabotage. Coinciding with Berlin Art Week, Andreani will be in conversation with Sam Bardaouil, curator of the exhibition and Director of Hamburger Bahnhof.

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Tursic & Mille’s new catalogue has been published on the occasion of the artist duo’s solo exhibition at the Carré d’Art – Musée d’art contemporain, Nîmes, by JBE Books. With texts by Hélène Audiffren, Jean-Max Colard and Jean-Marie Gallais, the book sheds light on how their practice challenges the conventions of the medium.

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Tursic & Mille’s works are the subject of Dissonances à géométries variables, a major solo exhibition at Carré d’Art - Musée d’art contemporain de Nîmes. The artists’ collaborative practice, developed over more than twenty years, directly questions the conditions of painting’s existence in a world saturated with images. The exhibition invites viewers to move through an unstable pictorial field composed of frictions, contradictions, repetitions, and displacements, where painting does not represent the world but rather interrogates its forms, affects, and contemporary tensions.

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Giulia Andreani’s work is the subject of Cold Painting, a solo exhibition at Musée d’art contemporain de Lyon. Spanning fifteen years, the exhibition traces the development of Andreani’s painting practice, which explores representations of different forms of power in the twentieth century. Drawing on war, art, official history, or marginal histories, Andreani’s works unearth vestiges of the past and highlight their resonance within the context of contemporary societal and political issues.

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Giulia Andreani’s work will be the subject of the solo exhibition, Sabotage, on view at the Hamburger Bahnhof – Nationalgalerie der Gegenwart, Berlin from 27 February 2026. This exhibition marks Andreani’s first institutional solo exhibition in Germany. Her paintings will be presented alongside works from the the Antikensammlung (Collection of Classical Antiquities), the Kunstgewerbemuseum (Museum of Decorative Arts), the Museum Europäischer Kulturen (Museum of European Cultures), and the Kupferstichkabinett (Museum of Decorative Arts) of the Staatliche Museen zu Berlin, reframing historical collections from a contemporary perspective.

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Giulia Andreani’s solo exhibition Sabotage at the Hamburger Bahnhof, Berlin, marks the museum’s 30th anniversary and is the artist’s first institutional solo show in Germany. The exhibition catalogue, published by Silvana Editorale, is Volume 17 of the Hamburger Bahnhof’s catalogue series. Featuring texts by Cecilia Alemani, Giulia Andreani, Sam Bardaouil and Ludovic Delalande, Sabotage is edited by Sam Bardaouil & Till Fellrath.

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Tursic & Mille have been commissioned to paint the ceiling coffers in the Council Chambers of Toulouse City Hall, in collaboration with architect and designer Olivier Vadrot. The work will be unveiled in November 2025.

Please note, the commission is not open to the public.  

This monograph was published on the occasion of Guilia Andreani’s solo exhibition, L’improduttiva at Collezione Maramotti, Reggio Emilia, 2023–2024. Featuring a cohesive body of new work, the book also includes a selection of archival sources and essays by Lucrezia Calabro Visconti, curator at Pinacoteca Agnelli in Turin, Emanuele Coccia, philosopher, and Sara Piccinini, Director of Collezione Maramotti.

Mousse Publishing

Artist duo Tursic & Mille have collaborated with Louis Vuitton to develop a design for the French luxury brand’s fifth Artycapucines collection. Reconceptualising the idea of image overload, the duo’s reimagining of the Capucines bag is based on their 2021 painting Tenderness. The artists’ note: ‘Once it leaves the workshop, it begins a life of its own, as well as it should.’ 

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This comprehensive monograph shows the full range of Giulia Andreani’s work from 2011 to the present in more than 150 paintings, watercolors, and sculptures. In various shades of Payne’s gray, Andreani translates historical images into compelling representations of women, power, and society. The monograph includes texts by Flavia Frigeri and Erik Verhagen. The book is now available for purchase on the Galerie Max Hetzler publications website. 

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A new artist edition by Tursic & Mille, Strange Days, is now available for purchase on the Galerie Max Hetzler publications website. This illustrated calendar, with two pop-out cardboard sculptures, has been published on the occasion of the artists’ exhibition Strange Days at Galerie Max Hetzler, London, June – August 2021.

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We are delighted to announce that Giulia Andreani has been nominated for the Prix Marcel Duchamp 2022, along with Iván Argote, Philippe Decrauzat and Mimosa Echard. Named after the influential artist Marcel Duchamp, this annual award distinguishes the most significant and pioneering young artists of the French art scene. The winner will be announced on 17 October 2022. A selection of works by nominated artists will be presented in a group exhibition at the Centre Pompidou in Paris, opening 4 October 2022.

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