New paintings by Giulia Andreani will be on view at the Hamburger Bahnhof – Nationalgalerie der Gegenwart, Berlin from 27 February 2026. This exhibition marks Andreani’s first institutional solo exhibition in Germany. Her paintings will be presented alongside works from the the Antikensammlung (Collection of Classical Antiquities), the Kunstgewerbemuseum (Museum of Decorative Arts), the Museum Europäischer Kulturen (Museum of European Cultures), and the Kupferstichkabinett (Museum of Decorative Arts) of the Staatliche Museen zu Berlin, reframing historical collections from a contemporary perspective.

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The Brown Collection, London, presents Hoi Polloi, a group exhibition curated by Glenn Brown. Derived from the Greek term ‘for the people’, most often used as an insult for the ‘great unwashed masses’, Hoi Polloi brings together a number of paintings, drawings, prints, and sculptures from the sixteenth century to the present, exploring how artists have represented, resisted, or reimagined the ordinary man through the lens of the spiritual.

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New work by Giulia Andreani will be presented in an exhibition dedicated to the French literary figure, Colette, at the Bibliothèque François-Mitterrand, Paris. Exploring themes of femininity, identity, emancipation, nature and desire in Colette’s life and work, the exhibition encapsulates the multilayered worlds of an independent woman, often ahead of her time, whose innovative, audacious and sometimes transgressive body of work remains astonishingly relevant today.

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Paul McCarthy’s work Stainless Steel Butt Plug, 2007, is featured in the group show Sex Now, at the NRW Forum, Düsseldorf. Across ten themed rooms, the exhibition stages over 400 objects in an intimate dialogue about sexuality and society.

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Published on the occasion of the solo exhibition In the Altogether, at Galerie Max Hetzler, Paris from 14 October – 18 December 2024. 

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Work by Giulia Andreani is included in the group exhibition Peintures fraîches in the Galerie du temps of the Louvre-Lens, a unique space in the museum which encourages dialogue between different artistic forms, technologies and temporalities. The exhibition invites viewers to journey through a ‘River of Time’, bringing together a selection of works which span over 5,000 years of art history. Within the presentation, Andreani’s painting Les Cafus (Europe et Cadmos), 2024, draws inspiration from archival documents to question history and its reception through time. Working in her distinctive palette of Payne’s Grey, Andreani reimagines two female miners, ‘cafus’, who worked underground in the area surrounding the Louvre-Lens, built as it is on a former mining site. Here, the presence and unseen strength of these women is reactivated.  

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In his paintings, sculptures and drawings, Glenn Brown confronts the history of art with a contemporary understanding of paint’s materiality and a barbed sense of colour. Numbered and signed by the artist, this Collector’s Edition treats the viewer to a close encounter with Brown’s eye-deceiving renderings of brushstrokes from sources between Sci-Fi and the Old Masters.

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This monograph was published on the occasion of Guilia Andreani’s solo exhibition, L’improduttiva at Collezione Maramotti, Reggio Emilia, 2023–2024. Featuring a cohesive body of new work, the book also includes a selection of archival sources and essays by Lucrezia Calabro Visconti, curator at Pinacoteca Agnelli in Turin, Emanuele Coccia, philosopher, and Sara Piccinini, Director of Collezione Maramotti.

Mousse Publishing

The catalogue accompanying Glenn Brown’s double exhibition The Real Thing, currently on view at the Sprengel Museum and Landesmuseum Hannover until 18 June 2023, is now available for purchase. This publication condenses the key ideas of the exhibition, which presents Brown’s work alongside a selection of historical masterworks from the two collections. In this way, Brown brings continuities and contrasts from 500 years of painting into a contemporary dialogue. The publication contains new texts by Jurriaan Benschop, Katja Lembke, and Reinhard Spieler, as well as a conversation with the artist.

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Published on the occasion of the solo exhibition From Wounds and Starry Dreams, on view at Galerie Max Hetzler, Paris from 3 September to 22 October 2022, this new catalogue includes a passage from Georg Trakl’s ‘From A Golden Chalice: Mary Magdalene’, 1906 and is available for purchase now on the Galerie Max Hetzler publications website.

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This comprehensive monograph shows the full range of Giulia Andreani’s work from 2011 to the present in more than 150 paintings, watercolors, and sculptures. In various shades of Payne’s gray, Andreani translates historical images into compelling representations of women, power, and society. The monograph includes texts by Flavia Frigeri and Erik Verhagen. The book is now available for purchase on the Galerie Max Hetzler publications website. 

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A new public installation by Jeff Koons has been unveiled at Al Masrah Park in Doha’s Corniche. Made of polychromed mirror-polished stainless-steel, and stretching over 32-meters longand 24-meters heigh, the monumental sculpture depicts a dugong propped up on an ocean wave. The marine mammal has inhabited the waters surrounding Qatar’s peninsula for thousands of years. 

Dugong, 2022, is the latest addition to a series of major art projects commissioned by Qatar Museums in the lead up to the FIFA World Cup Qatar 2022, including Ernesto Neto’s Slug Turtle, TemplEarth, 2022.

We are delighted to announce that Giulia Andreani has been nominated for the Prix Marcel Duchamp 2022, along with Iván Argote, Philippe Decrauzat and Mimosa Echard. Named after the influential artist Marcel Duchamp, this annual award distinguishes the most significant and pioneering young artists of the French art scene. The winner will be announced on 17 October 2022. A selection of works by nominated artists will be presented in a group exhibition at the Centre Pompidou in Paris, opening 4 October 2022.

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