KATHARINA GROSSE

The Sprayed Dear (solo show)
Staatsgalerie Stuttgart
11 April 2025 – 11 January 2026

Installation view: The Sprayed Dear, Staatsgalerie Stuttgart, 2025, photo: Courtesy Staatsgalerie Stuttgart © VG Bild-Kunst, Bonn 2025
Installation view: The Sprayed Dear, Staatsgalerie Stuttgart, 2025, photo: Courtesy Staatsgalerie Stuttgart © VG Bild-Kunst, Bonn 2025

The Staatsgalerie Stuttgart presents a solo exhibition focusing on the three-dimensional work of Katharina Grosse. Celebrated for her unique, spatial paintings, this exhibition offers the first comprehensive overview to include her lesser known body of plastic and sculptural work, shedding light on the beginnings of the internationally renowned painter’s career – from the 1980s to the present day.

From the artist’s early works of the 1980s through to the latest canvases, sculptures and in-situ works, The Sprayed Dear showcases Grosse’s diverse oeuvre and the inexhaustible range of materials on which she has painted, allowing her to redefine the possibilities of art.

Staatsgalerie Stuttgart

Installation view: The Sprayed Dear, Staatsgalerie Stuttgart, 2025, photo: Courtesy Staatsgalerie Stuttgart © VG Bild-Kunst, Bonn 2025
Installation view: The Sprayed Dear, Staatsgalerie Stuttgart, 2025, photo: Courtesy Staatsgalerie Stuttgart © VG Bild-Kunst, Bonn 2025

Additional:

ELMGREEN & DRAGSET, KATHARINA GROSSE, BEATRIZ MILHAZES et al.

MINEBANE! Contemporary Art - The Taguchi Art Collection (group show)
Akita Museum of Art and Akita Senshu Museum of Art
19 July – 7 September 2025

Elmgreen & Dragset, The Other He, 2018, photo: courtesy of © Elmgreen & Dragset
Elmgreen & Dragset, The Other He, 2018, photo: courtesy of © Elmgreen & Dragset

Works by Elmgreen & Dragset, Katharina Grosse and Beatriz Milhazes are featured in MINEBANE! Contemporary Art - The Taguchi Art Collection, a group exhibition at Akita Museum of Art and Akita Senshu Museum of Art in Japan. The exhibition takes the term ‘Minebane’ – a word used in Akita dialect meaning ‘must-see’ – as its starting point, and explores themes of nature, humanity, monochrome and colour. Carefully selected from the Taguchi Art Collection, the presentation displays around 100 works by some 80 artists, including painting, photography, sculpture and video art, across two different spaces.

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Elmgreen & Dragset, The Other He, 2018, photo: courtesy of © Elmgreen & Dragset
Elmgreen & Dragset, The Other He, 2018, photo: courtesy of © Elmgreen & Dragset

KATHARINA GROSSE

CHOIR, Art Basel: Messeplatz Project (installation)

Messeplatz, Basel
16 – 22 June 2025

Installation view: CHOIR, Messeplatz Art Basel 2025, photo: Jens Ziehe © Katharina Grosse and VG Bild-Kunst, Bonn, 2025
Installation view: CHOIR, Messeplatz Art Basel 2025, photo: Jens Ziehe © Katharina Grosse and VG Bild-Kunst, Bonn, 2025

Katharina Grosse has been commissioned to produce a large-scale, site-responsive installation for the Messeplatz Project at Art Basel 2025. Widely known for her immersive environments of explosive colour sprayed directly onto architecture, interiors and landscapes, Grosse will transform the city’s Messeplatz and its surrounding architecture into a vivid, chromatic experience. The work will be situated outside the exhibition hall as part of this special project, curated this year by Natalia Grabowska, Curator at Large of architecture and site-specific projects at the Serpentine Gallery in London.

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Installation view: CHOIR, Messeplatz Art Basel 2025, photo: Jens Ziehe © Katharina Grosse and VG Bild-Kunst, Bonn, 2025
Installation view: CHOIR, Messeplatz Art Basel 2025, photo: Jens Ziehe © Katharina Grosse and VG Bild-Kunst, Bonn, 2025

KATHARINA GROSSE

Wunderbild (solo show)
Deichtorhallen, Hamburg
5 June – 14 September 2025

Installation view: Wunderbild, Deichtorhallen, Hamburg, 2025, photo: Jens Ziehe © VG Bild-Kunst, Bonn, 2025
Installation view: Wunderbild, Deichtorhallen, Hamburg, 2025, photo: Jens Ziehe © VG Bild-Kunst, Bonn, 2025

Deichtorhallen, Hamburg, will present Katharina Grosse’s Wunderbild, a walk-in installation consisting of two ceiling-high panels up to 60 metres long, which can be viewed from both sides. Originally created for the Messepalast of the National Gallery in Prague, Grosse has adapted the spectacular installation for the Deichtorhallen's 3,000 square meter Hall of Contemporary Art and expanded it with a sound installation produced for the exhibition.

The large-format installation will be complemented by a new work developed for the exhibition as well as individual paintings, a film, and archival materials consisting of sketches and studies of her works. As a result, viewers are encouraged to explore Grosse’s boundary-breaking practice and question what it means to experience art directly and to make painting physically tangible.

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Installation view: Wunderbild, Deichtorhallen, Hamburg, 2025, photo: Jens Ziehe © VG Bild-Kunst, Bonn, 2025
Installation view: Wunderbild, Deichtorhallen, Hamburg, 2025, photo: Jens Ziehe © VG Bild-Kunst, Bonn, 2025

KATHARINA GROSSE

bLINK, 2025 (public installation)
The West Link, Gothenburg
From 15 May 2025

Katharina Grosse, bLINK, 2025, The West Link, Gothenburg, commissioned by the Public Art Agency Sweden, photo: Ricard Estay / Statens konstråd © VG Bild-Kunst, Bonn 2025
Katharina Grosse, bLINK, 2025, The West Link, Gothenburg, commissioned by the Public Art Agency Sweden, photo: Ricard Estay / Statens konstråd © VG Bild-Kunst, Bonn 2025

Katharina Grosse’s monumental artwork bLINK – a pink boulder the size of a three-storey building – emerges from the railway bridge of the West Link in Gothenburg. Through bLINK, Grosse invites the viewer to imagine a giant spotlight directing a pink light beam towards the ground. All the surfaces that are hit by the fictitious cone of light are engulfed in pink: the railway bridge, trusses, pavement, footpath and cycle lane. The project was commissioned by Public Art Agency Sweden and the Swedish Transportation Administration, as part of the artistic design of the West Link.

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Katharina Grosse, bLINK, 2025, The West Link, Gothenburg, commissioned by the Public Art Agency Sweden, photo: Ricard Estay / Statens konstråd © VG Bild-Kunst, Bonn 2025
Katharina Grosse, bLINK, 2025, The West Link, Gothenburg, commissioned by the Public Art Agency Sweden, photo: Ricard Estay / Statens konstråd © VG Bild-Kunst, Bonn 2025

KATHARINA GROSSE

Ein Glas Wasser, bitte, 2024 (installation)
Museum Reinhard Ernst, Wiesbaden

Katharina Grosse, Ein Glas Wasser, bitte, 2024, © VG Bild-Kunst, Bonn 2024, photo: Martin Url, courtesy Museum Reinhard Ernst, Wiesbaden
Katharina Grosse, Ein Glas Wasser, bitte, 2024, © VG Bild-Kunst, Bonn 2024, photo: Martin Url, courtesy Museum Reinhard Ernst, Wiesbaden

Katharina Grosse has unveiled her first ever work in glass, Ein Glas Wasser, bitte (A Glass of Water, Please), developed especially for the Museum Reinhard Ernst in Wiesbaden. Comprising a large stained-glass wall weighing several tonnes, the work harnesses the complementary colours blue and orange to examine ‘how these colours mix, cross, repel, disturb and enrich each other in a watery state.’ As the artist states: ‘This energy has a transformational power that can inspire and excite all who are in front of or behind the glass wall. It shows that the world is in flux.’

Museum Reinhard Ernst

Katharina Grosse, Ein Glas Wasser, bitte, 2024, © VG Bild-Kunst, Bonn 2024, photo: Martin Url, courtesy Museum Reinhard Ernst, Wiesbaden
Katharina Grosse, Ein Glas Wasser, bitte, 2024, © VG Bild-Kunst, Bonn 2024, photo: Martin Url, courtesy Museum Reinhard Ernst, Wiesbaden

KATHARINA GROSSE

Shifting the Stars (solo show)
Centre Pompidou-Metz
1 June 2024 – 24 February 2025

Installation view: Shifting the Stars, Centre Pompidou, Metz, 2024, photo: Jens Ziehe, courtesy of Centre Pompidou – Metz, Gagosian, Galerie Max Hetzler, Galerie nächst St. Stephan Rosemarie Schwarzwälder
Installation view: Shifting the Stars, Centre Pompidou, Metz, 2024, photo: Jens Ziehe, courtesy of Centre Pompidou – Metz, Gagosian, Galerie Max Hetzler, Galerie nächst St. Stephan Rosemarie Schwarzwälder

For her exhibition Shifting the Stars, Katharina Grosse will occupy the Centre Pompidou-Metz’s monumental Grande Nef, a space that soars to a height of more than 20 metres. Some 8000 m² of fabric suspended from the ceiling by enormous knots will form a new space inside the gallery, taking the form of billowing drapery whose exuberant colours and energy will spill out from the Grande Nef onto the forecourt of the Centre Pompidou-Metz. The exhibition invites visitors to pass through a screen of paint,  plunging them into Grosse’s world of colour and movement.

Centre Pompidou Metz

Installation view: Shifting the Stars, Centre Pompidou, Metz, 2024, photo: Jens Ziehe, courtesy of Centre Pompidou – Metz, Gagosian, Galerie Max Hetzler, Galerie nächst St. Stephan Rosemarie Schwarzwälder
Installation view: Shifting the Stars, Centre Pompidou, Metz, 2024, photo: Jens Ziehe, courtesy of Centre Pompidou – Metz, Gagosian, Galerie Max Hetzler, Galerie nächst St. Stephan Rosemarie Schwarzwälder

KATHARINA GROSSE

Katharina Grosse: Spectrum Without Traces (publication)
Galerie Max Hetzler Berlin | Paris | London | Marfa, 2024
Distributed by: Holzwarth Publications
With texts by Jurriaan Benschop and Ulrich Loock

Photo: def image
Photo: def image

Published in conjunction with the artist’s first solo exhibition at Galerie Max Hetzler, Berlin: Spectrum Without Traces, 17 March – 30 April 2023.

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Photo: def image
Photo: def image