Work by Thomas Struth is included in Survival in the 21st Century at Deichtorhallen Hamburg. Presenting works by around 40 international artists, the exhibition focuses on fundamental questions of human existence and reflects the radical upheavals we are confronted with in contemporary society: climate change, the digital revolution, growing injustice on a national and global scale, the crisis of democracy and the question of community.

Deichtorhallen

Works by Thomas Struth are on view in the group exhibition In Abwesenheit at Sammlung Philara, Düsseldorf. Spanning a period of almost a century, In Abwesenheit starts from the beginnings of surrealist photography in the 1920s and moves forward by way of the black and white photographs of the 1960s and 1970s through to contemporary photography. The presented works are united in their engagement with questions of absence and void. They pose a wide range of questions, interrogating the physical qualities of photography and its technical requirements, as well as broader aspects such as speculative fiction, belonging, nostalgia and ambiguity.

Sammlung Philara

Work by Tal R is included in The Beauty of Diversity at the Albertina, Vienna. The group exhibition presents the rich depth and breadth of the museum’s contemporary collections, highlighting a broad spectrum of artistic, stylistic and substantive approaches.

Albertina Modern

Thomas Struth’s photograph Queen Elizabeth II and The Duke of Edinburgh, Windsor Castle 2011, 2011, will be on view as part of the exhibition Inspiring People. Transforming the National Portrait Gallery, the Inspiring People project comprises a complete re-presentation of the Collection, combined with a significant refurbishment of the building, the creation of public spaces, a more welcoming visitor entrance and public forecourt, and a new Learning centre. The Gallery reopens to the public on 22 June 2023.

National Portrait Gallery

Archive Matrix Assembly: The Photography of Thomas Struth 1978–2018 presents the first comprehensive, systematic theory of Thomas Struth’s main body of photographic work from its beginnings in the late 1970s until his most recent work in 2018. The book presents a unique, evolutionary understanding of the work, proposing that it has established three stages of production: archive, matrix, and assembly. Together the three stages form a developmental system that characterizes the individual photographs, their relation to their subject matter, and how they form larger, significant collections of images. The book project accomplishes three main goals: it develops a comprehensive critical reading of the work, it serves as a monograph of the artist, and it provides an extensive analysis of the photographs at all stages, including the less discussed, more recent photography, which is placed on par with the earlier work for which Struth first became internationally renowned.

Order a copy here.