clear

Günther Förg

Gemälde, Bleibilder und Werke auf Papier 1976–2007 (solo show)
Kunstverein Reutlingen, Reutlingen
10 June – 26 August 2018


Additional:

Günther Förg

Günther Förg - A Fragile Beauty (solo show)
Stedelijk Museum, Amsterdam
26 May – 14 October 2018

Günther Förg, Farbfeld, 1989
Günther Förg, Farbfeld, 1989

Since the 1980s, the work of the German artist Günther Förg (1952-2013) has been the subject of a great many exhibitions, publications and critical debate. The Stedelijk Museum is preparing to stage the first major retrospective of Förg’s work since his death.

As one of the seminal figures in late 20th century German art, Förg steered a singular course between conceptual photography and the so-called ‘Becher-Schule’ on the one hand, and a more formal exploration of the boundaries between figuration and abstraction on the other.

A Fragile Beauty illuminates the richness, complexity and broad scope of his work. The show features a wide spectrum of disciplines, such as wall paintings, photography and sculpture, in addition to a significant selection of paintings created between 1973 and 2010, made on canvas, wood, aluminium and lead, among other things.

The survey will feature works from the holdings of the Stedelijk Museum Amsterdam, the estate of the artist, and international public and private collections. A number of the artworks have never previously been on public display.

The Stedelijk is developing the exhibition Günther Förg – A Fragile Beauty in partnership with the Dallas Museum of Art.

Stedelijk Museum, Amsterdam


Günther Förg

Geschenk Papier. Von Dürer bis Grosz (group show)
Kunsthalle Bremen, Bremen
29 November 2017 - 1 April 2018


Günther Förg, Thomas Struth et al.

Light Sensitive 2: Photography from the Schaufler Collection (group show)
SCHAUWERK, Sindelfingen
15 April 2018 - 6 January 2020

Thomas Struth, Grosse Tannen Am Eschberg - N°13, Winterthur 1992, 1992 © Thomas Struth
Thomas Struth, Grosse Tannen Am Eschberg - N°13, Winterthur 1992, 1992 © Thomas Struth

Contemporary photography from the Schaufler Collection will be on display from September 2017 at the SCHAUWERK Sindelfingen. The museum will link this show to the LICHTEMPFINDLICH exhibition of 2011, which had presented the large collection of this medium to the public for the first time in the impressive space of the former high rack warehouse in the SCHAUWERK. This lofty storage space inspires with its revolving ramp, which extends over 15 metres upward: an exhibition place par excellence for photography, with spectacular visual axes for viewing from near and afar.

Along with major works from the first exhibition, LICHTEMPFINDLICH 2 will also display photographs that previously haven’t been shown, so that a more comprehensive representation of the contemporary photography collection can occur. The main interest of the collectors Peter Schaufler and Christiane Schaufler-Münch is not directed toward the medium and its history per se, but leans more toward the fascination that arises from certain motifs, pictorial inventions, and their formal transformations.

The classic genres of photography—nude, portrait, landscape, architecture, or industry—are mirrored in the works, but are often citations or stages of conceptual processes. Most of the protagonists within the context of this collection have left behind the conventional framework of photography.

SCHAUWERK, Sindelfingen


Günther Förg, Thomas Struth et al.

Shared Space: A New Era (group show)
The Aldrich Contemporary Art Museum, Ridgefield
1 October 2017 - 22 April 2018

Günther Forg, Häuser und Fenster: Cité radieuse III, Marseille, 1987 Courtesy the Estate of Günther Förg and Bank of America Collection
Günther Forg, Häuser und Fenster: Cité radieuse III, Marseille, 1987 Courtesy the Estate of Günther Förg and Bank of America Collection

The Aldrich Contemporary Art Museum is pleased to present Shared Space: A New Era, an exhibition of photographs and video from 1987 through 2010 that considers the world’s social, economic, and political climate over the past thirty years and how the growing impact of technology during this time, with radically increased and diversified communication, has introduced a new phase of globalization. This exhibition has been curated by Lillian Lambrechts from the Bank of America Collection and is on loan from its Art in our Communities® program.

Shared Space features contemporary artists from twelve countries: the United States, Great Britain, Canada, Germany, the Netherlands, India, Iran, Italy, Japan, Mexico, the Czech Republic, and Switzerland. These artists capture myriad spaces for communication and interaction—urban and rural landscapes, homes and backyards, city streets and plazas, and ports and terminals. The exhibition’s point of departure is 1987, a seminal year that marks the signing of the Intermediate-Range Nuclear Forces Treaty by Ronald Reagan and Mikhail Gorbachev, and soon thereafter the fall of the Berlin Wall, events marking the end of the Cold War and the beginning of a new age of international exchange.

Sze Tsung Leong’s cityscapes illustrate the impact of a global economy. Thomas Ruff’s and Günther Förg’s photographs show the rapid transformation of the built environment through images of Modernist architecture constructed upon utopian ideals, now derelict and failing to realize its original intention. Photographs by Raghubir Singh, Thomas Struth, and Massimo Vitali depict masses of people gathering in public spaces from Los Angeles to Vietnam, and the Netherlands—expressing an unprecedented universality of access to information. Despite the interconnectivity of this time, a distancing and disconnect remains between individuals and groups, near and afar, as evidenced in Ben Gest’s Jessica & Samantha (2003), family members in close physical proximity who seem deeply psychologically distanced from one another. Shared Space reminds viewers of their place in the world and their role and impact on current global and interpersonal affairs while also provoking them to consider how they will contribute to “shared space” in the future.

The Aldrich Contemporary Art Museum, Ridgefield


André Butzer, Günther Förg et al.

Aftermieter (group show)
Haus Modräth - Räume für Kunst, Kerpen
23 April 2017 - 15 November 2018

Installation view. Courtesy Haus Mödrath. Photo: Simon Vogel.
Installation view. Courtesy Haus Mödrath. Photo: Simon Vogel.

Haus Mödrath - Räume für Kunst will open in April 2017 with the exhibition Aftermieter (Day Roomer), curated by Veit Loers. Quite a few of the about 20 participating international artists have visited Mödrath and are working on their ideas. The focus is on the house itself: civilization and domesticated nature. An abysmal transformation on many levels: from society to individual, from resident to artefact, from animalism to altruism, from artistic strategy to epiphany, from Günther Förg to Eva Kotátková, from Kris Lemsalu to Neil Beloufa – all the way from the cellar to the attic. Next to internationally renowned artists like Andreas Slominski, Michaela Eichwald, Georg Herold, Ed Atkins or Katja Novitskova there are new and re-discoveries like Ajay Kurian and Eric Bainbridge. Several site-specific works will be exclusively produced for this premiere.

Haus Mödrath