Günther Förg, Thomas Struth et al.
German Encounters - Contemporary Masterworks from the Deutsche Bank Collection (group show)
Garage Gallery, Doha Fire Station, Qatar Museums, Doha
3 October 2017 - 20 January 2018
A Major highlight of the Qatar Germany 2017 Year of Culture is a selection of artworks from the Deutsche Bank Collection – one of the world's most important corporate collections of contemporary art – on show at the Garage Gallery at the Fire Station.
More than 100 exemplary works on paper including photographs, and paintings by 27 artists provide an informative overview of the development of German art – and thus also of the history of the country – from the 1960s up to the present day.
Aspen Art Museum, Aspen (solo show)
19 January – 17 June, 2018
Acclaimed German artist Thomas Struth’s pivotal series on the Middle East is on view in Gallery 1 in its entirety for the first time. The series of eighteen monumental photographs of Israel and Palestine taken between 2009 and 2014 depicts places and people throughout the region, encompassing street views, sites of technological research, and family portraits. Photographing within the political climates of East Jerusalem, Tel Aviv, the Golan Heights, Ramallah, Al-Khalil/Hebron, Nazareth, and Negev, Struth conveys vivid and emotional narratives of place.
Aspen Art Museum, Aspen
Nature & Politics (solo show)
Saint Louis Art Museum, Saint Louis
5 November 2017 - 21 January 2018
Thomas Struth: Nature & Politics is a photographic exploration of cutting-edge industrial and scientific research spaces. In over 35 works created within the past decade, the celebrated German artist Thomas Struth ambitiously takes technology and engineering as his overarching subject. With vivid color and monumental scale, he investigates the fascinating complexities of sites where knowledge, ambition, and imagination are advanced.
The featured works are drawn from the artist's visits to Europe, America, Asia, and the Middle East. Struth takes viewers into spaces normally kept from public view, such as aeronautical centers, robotics laboratories, and nuclear fusion facilities, examining humanity's attempts to understand and harness forces of nature, often at great cost of resources.
Nature & Politics intersperses Struth's technological subjects with other recent work, including images of the fantasy environments of Disneyland and the war-torn landscapes of the West Bank. This poses intriguing questions about the relationship between nature and humanity in our increasingly fabricated world, as well as drawing attention to the financial and political ambition that underscores the massive technological endeavors of our present day.
Saint Louis Art Museum, Saint Louis
Out of Place (group show)
The Third Mediterranean Biennale, Sakhnin Valley
30 June - 16 December 2017
The Third Mediterranean Biennale offers an alternative platform which emphasizes the local processes being created in the region and enhances their cultural impact by means of art directed toward the community, art that bridges cultures, emerges from the museum walls, integrates into the city and turns the city into a museum.
The Mediterranean Biennale will serve as a venue for raising issues such as: How to restore art to the public; what is the relevance of art in today's consumer society; and art as a bridge between cultures.
The Mediterranean Biennale aims to bring a new approach to the region by means of artistic activities in the hope of creating the basis for a dialogue between people and coexistence between communities living in conflict as well as promoting education for peace, tolerance and non-violence through cooperation based on equality and reciprocity. The Biennale aims to restore mutual trust, to bridge gaps in the perception of the other and encourage diversity and coexistence in order to create an environment where individuals and groups of diverse religion and ethnicity share common values and coexist peacefully.
This Mediterranean Biennale becomes a regional biennale held in the Sakhnin Valley, in Israel in the communities of Misgav, Sakhnin, Arraba and Deir Hanna, and creating a course of various places, people and congregations that are exposed to the general public by means of art while instigating a platform for dialogue. Widening the Biennale creates a channel for cooperation between communities living in the area under the concept of a face-to-face rather than a back-to-back situation.
The Mediterranean Biennale will take place under the title of: Out of Place. The exhibition Out of Place relates to issues of identity, place, time and individualty in an era of global culture while critically addressing the topics of place, local identity and culture in view of the changes occurring today. The exhibition Out of Place aims to establish a dialogue between people and create a place where everyone can have their say in a discussion where there are no winners or losers. The exhibition reminds us that we are not independent of the manner in which the present refugee crisis is developing: we are part of the crisis but we are also part of its possible solution. The nature of the exhibition Out of Place can be one that highlights disillusionment and hopelessness, or on the contrary one that opens up possibilities of acting against current incitement by means of solidarity, common ideals and sense of community.
The Mediterranean Biennale
Light Sensitive 2: Photography from the Schaufler Collection (group show)
15 April - 2 September 2018
The museum will link this show to the LICHTEMPFINDLICH exhibition of 2011, which had presented the large collection of this medium to the public for the first time in the impressive space of the former high rack warehouse in the SCHAUWERK. This lofty storage space inspires with its revolving ramp, which extends over 15 metres upward: an exhibition place par excellence for photography, with spectacular visual axes for viewing from near and afar.
Along with major works from the first exhibition, LICHTEMPFINDLICH 2 will also display photographs that previously haven’t been shown, so that a more comprehensive representation of the contemporary photography collection can occur. The main interest of the collectors Peter Schaufler and Christiane Schaufler-Münch is not directed toward the medium and its history per se, but leans more toward the fascination that arises from certain motifs, pictorial inventions, and their formal transformations.
The classic genres of photography—nude, portrait, landscape, architecture, or industry—are mirrored in the works, but are often citations or stages of conceptual processes. Most of the protagonists within the context of this collection have left behind the conventional framework of photography.
Figure Ground (solo show)
Haus der Kunst, Munich
5 May 2017 - 7 January 2018
This exhibition of the renowned German photographer Thomas Struth (born in 1954), presents a comprehensive survey of his genre-defining oeuvre. Covering four decades of work and every phase of his career, the exhibition focuses on Struth's social interests, which represent the important forces of his influential artistic development. Comprised of more than 120 works, this exhibition is the largest survey of his artistic career to date. It brings together never-before-shown early works and collected research material drawn from his archive; these, elucidate the far-reaching and longstanding ideas behind the works and demonstrate the process of his artistic translation up to the perfection of the image.
The survey links these early ideas to well-known work groups such as "Straßen" (Streets), "Unbewusste Orte" (Unconscious Places), "Portraits", "Museumsbilder" (Museum Pictures), "Paradise", and "Audiences". These are placed in dialogue with the slide projection "Nachtprojekt" produced for Skulptur Projekte Münster in 1987, as well as video portraits and other video projections, the recent photographic series from "Nature & Politics", and site-specific works such as "Löwenzahnzimmer" (Dandelion Room), the landscape and flower photographs created for hospital rooms in Winterthur, Switzerland. This interplay highlights the artist’s ability to combine analysis and pictorial invention in multifaceted works and techniques that result in overarching and powerful photographic images.
The exhibition is curated by Thomas Weski and organized by Haus der Kunst.
Haus der Kunst, Munich