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Ernesto Neto

Enjoy. Art meets Amusement (group show)
Chiostro del Bramante, Rome
23 September 2017 - 25 February 2018

Ernesto Neto, caring time, 2013
Ernesto Neto, caring time, 2013

The art exhibition will highlight the differences in individual perception of the artworks. The audience will have this experience guided by the poetical voice of some of the most important and provocative contemporary artists.

Sometimes breaking the rules doesn’t necessarily mean misbehaving, but expanding rules boundaries. A rule that the Chiostro del Bramante follows in its schedules is proposing “out of the box” exhibitions, in which originality is always the base idea of the project.

Chiostro del Bramante, Rome


Additional:

Ernesto Neto

Floating Worlds (group show)
14th Lyon Biennale, various locations, Lyon
20 September 2017 - 7 January 2018

Ernesto Neto, Three Stops for an Animal Architecture under Gravity, 2007
Ernesto Neto, Three Stops for an Animal Architecture under Gravity, 2007

Amid rampant globalisation that is generating constant mobility and a quickening of flows – the “liquidity” of the world and identities, as analysed by the sociologist Zygman Bauman – Emma Lavigne explores the legacy and reach of the concept “modern” in today’s art, in accordance with the definition advanced by the poet Baudelaire, who considered modernity to be “the transient, the fleeting, the contingent; it is one half of art, the other being the eternal and the immovable”. Take the presence of sounds, from David Tudor’s imaginary landscape Rainforest to the murmurs of the world broadcast by the Babel tower of Brazilian artist Cildo Meireles: some artworks remain deliberately open – influenced by the major works of modernity such as Mallarmé’s The Book, Spiritual Instrument – and hint at the thinking of both Luigi Pareyson, who defined an artwork as “the opening-up of an infinity that has been gathered into a form”; and Umberto Eco, who, in The Open Work (1965), analyses the artwork as “a field of events randomly open to some accidental unfolding”. The Biennale will stretch out like a shifting, atmospheric, expanding landscape that is forever reconstructing itself, as reflected in some of the modern masterpieces provided by the Centre Pompidou-National Museum of Modern Art as part of its 40th anniversary, such as the random compositions of forms that will be suspended in the Calder space at the Biennale; and Fontana’s paintings, opening onto endless cosmogonies. The White Cube is cracking up and turning into an organism or a constellation, where – from Hans Arp to Ernesto Neto, from Lygia Pape to Daniel Steegmann Mangrané – art and space biomorph, opening onto projects that challenge the abstraction of European modernity in order to reassess its global reach. The 2017 Contemporary Art Biennale will dock in the heart of a territory whose identity was partly shaped by the ubiquity of water, in a city that “rose from the waters”, and through which the Rhône and Saône run. It will reactivate the imaginative realm conveyed by the Rhône and its tributary, producing an archipelagic topography. Like the white fabric of Hans Haacke’s Wide White Flow or the kites in Shimabuku’s When Sky Was Sea, the Lyon Biennale’s Floating Worlds are being shaken by the wind of libertarian uprisings and contemporary poetic outbursts and aesthetic clashes.

Lyon Biennale


Raymond Hains, Ernesto Neto et al.

Vive Arte Viva, 57th Venice Biennale (group show)
Arsenale and Central Pavilion, Giardini, Venice
13 May - 26 November 2017

The Exhibition offers a route that unfolds over the course of nine chapters or families of artists, beginning with two introductory realms in the Central Pavilion, followed by another seven across the Arsenale through the Giardino delle Vergini. 120 are the invited artists from 51 countries; 103 of these are participating for the first time.

«La Biennale must present itself as a place whose method—and almost raison d’être—is dedicated to an open dialogue between artists, and between artists and the public.»

Biennale di Venezia