clear

Christopher Wool

Being Modern: MoMA in Paris (group show)
Fondation Louis Vuitton, Paris
11 October 2017 - 5 March 2018

The Museum of Modern Art (MoMA) and Fondation Louis Vuitton announce the first comprehensive exhibition in France to present MoMA’s unparalleled collection: "Being Modern: MoMA in Paris", on view at Fondation Louis Vuitton from October 11, 2017, through March 5, 2018.
(...)
Established in 1929, The Museum of Modern Art was one of the first museums devoted exclusively to the visual arts of the time. ''Being Modern: MoMA in Paris’’ represents the wide range of artworks that MoMA has acquired over the decades, ranging from the early defining movements of the modern art period to Abstract Expressionism, Minimalism, Pop art and digital works of art.

Fondation Louis Vuitton, Paris


Additional:

Jeff Koons, Christopher Wool et al.

Pop Pictures People (group show)
Museum Brandhorst, Munich
30 June 2017 - 30 June 2018


Christopher Wool

Unpacking: The Marciano Collection (group show)
The Marciano Art Foundation, Los Angeles
25 May - 24 December 2017

The inaugural exhibition of The Maurice and Paul Marciano Art Foundation draws from the Foundation’s collection of over 1,500 artworks, bringing together an international, multigenerational roster of artists who are among contemporary art’s leading creative and critical voices. With the rise of Los Angeles as one of the twenty-first-century’s global centers for artistic practice, the Marciano Art Foundation has a vision to transform the former Scottish Rite Masonic Temple into a forum dedicated to this thriving community.

Conceived and organized by guest curator Philipp Kaiser, UNPACKING takes its title from German philosopher Walter Benjamin’s 1931 essay, “Unpacking My Library: A Talk about Book Collecting.” Benjamin’s text emphasizes that any order is a balancing act of extreme precariousness. UNPACKING showcases the breadth and depth of the collection while simultaneously creating a loose order where a multitude of meanings collide with a historic site, exposing unpredictable connections. Two underlying thematic threads lead the viewer through the walls of the temple: one focusing on works that emphasize the process of their creation and another to the artists’ archaeological impulses. The abundance of process-based works connects the artists in the collection to an artistic legacy that characterized much of the art of the late 1960s, while the archaeological impetuses point to a prevailing tendency by artists to operate in an investigative mode, mining complex ideas of the artwork’s site and temporality.

The Marciano Art Foundation, Los Angeles


André Butzer, Günther Förg, Frank Nitsche, Albert Oehlen, Christopher Wool et al.

Abstract Painting Now! (group show)
Kunsthalle Krems, Krems
2 July - 5 November 2017

André Butzer, Untitled, 2014. Photo: Johannes Plattner Courtesy the artist and Galerie Bernd Kugler, Innsbruck
André Butzer, Untitled, 2014. Photo: Johannes Plattner Courtesy the artist and Galerie Bernd Kugler, Innsbruck

Featuring some sixty different art positions, the exhibition Abstract Painting Now! will place the focus on the present-day international situation of the nonrepresentational easel painting, covering the full range of a still significant painterly practice. The historical basis of the show is the development that followed upon Abstract Expressionism, carried above all by Gerhard Richter and Sigmar Polke. While the former after a period of agony, in which his grey “Inpaintings” were created, turned to the beautiful and seemingly expressive, the latter used abstraction as an ironic paraphrase, thus commenting on the veracity of the brush stroke as a mark of the artist self.

Kunsthalle Krems


Albert Oehlen, Christopher Wool et al.

Progressive Praxis (group show)
de la Cruz Collection, Miami
29 November 2016 - November 2017

Progressive Praxis considers the impact of preceding art movements and the way contemporary artists conceptually engage with the advancements of technology. Our society is conditioned to create, disseminate, and alter information as it sees fit. The use of computers as a method of executing work is no longer a game changer for artists, as there are no traditional boundaries between the virtual and physical. Artists today embrace technology to overcome the limitations of physicality and past formal art processes. The artists selected for this year’s exhibition, reveal a generational position that is inherent to an artistic idea and the language of their time.

The architecture of the galleries was taken into consideration in framing this exhibition.

de la Cruz Collection Miami