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Rineke Dijkstra

Ode aan een Amsterdammer (group show)
Het Scheepvaartmuseum, Amsterdam
12 July - 27 August 2017


Additional:

Rineke Dijkstra

Rineke Dijkstra (solo show)
De Pont Museum, Tilburg
10 March - 22 July 2018

Rineke Dijkstra, Vondelpark, Amsterdam, June 19, 2005, 2005 © Rineke Dijkstra
Rineke Dijkstra, Vondelpark, Amsterdam, June 19, 2005, 2005 © Rineke Dijkstra

Rineke Dijkstra (Sittart 1959) became internationally known with her "Beach Portraits" during the 1990s. With this moving series of photographs, she established her reputation as a maker of portraits that express the identity, vulnerability and dignity of the subjects. Last year she was granted the Hasselblad Award, a prestigious photography prize.

Dijkstra prefers to work in series, which allow the differences and similarities among the portrait subjects and their cultural backgrounds to emerge in a subtle manner. The time-consuming process of working with a technical camera determines her approach. She creates the conditions and plays with the light, which appears to be natural and yet has a slightly different appearance. She chooses her figures carefully, but chance plays a significant role as well. The sharply focused photographs give the viewer a sense of being face to face with the portrait subjects. At the same time, the serial character of the work also makes the subjects lose a certain degree of individuality. As a viewer, one mainly identifies with the universal human feelings (e.g. shyness, a lack of ease) displayed by them.
The theme of transformation keeps on surfacing in various series, such as the one in which a friendly-looking French boy evolves, in just a few years, into a stalwart soldier. But is this real, or is he playing a role?

Such questions interest Dijkstra. Despite the faithfully rendered appearance of the photograph, the portrait subject ultimately remains unfathomable and elusive. Who is hiding behind a mask, and who is showing his or her true face? This dilemma is subtly conveyed in the video of Marianna, a ten-year-old Russian ballerina who practices her dance steps in a pink studio. The cloyingly sweet surroundings and the spirited music stand in stark contrast to the stern voice of a teacher who is giving instructions off screen. With each new attempt to execute the steps perfectly, Marianna smiles as she has been conditioned to do, but gradually a certain fatigue and defiance nonetheless begin to emerge.

De Pont Museum, Tilburg


Ai Weiwei, Rineke Dijkstra, Thomas Struth et al.

Stage of Being (group show)
Museum Voorlinden, Wassenaar
9 December 2017 - 13 May 2018

Who are we? Where do we come from? What are we doing here? Where are we going?

We live in a world of progress: we know more and are capable of more, we live longer than ever before; maybe one day we will even achieve immortality. At the same time, we humans struggle with feelings of emptiness, loneliness and fear. Once, religion and ideology provided guidance and assuaged our doubts. Nowadays, we rely on self-help books, doctors, philosophers and coaches – but above all, on ourselves.

Artists in particular dare to face down the fundamental questions of existence. In fact: the very essence of art might be found in diffusing that existential, human fear. Art can hold up a mirror to mankind. This mirror is sometimes quite direct, raw and confrontational. And sometimes indirect, enshrouded in layers of meaning.

Museum Voorlinden, Wassenaar


Rineke Dijkstra

"I am a native foreigner" (group show)
Stedelijk Museum, Amsterdam
22 September 2017 - 2 June 2018

The Stedelijk Museum Amsterdam is mounting a series of exhibitions in 2017 and 2018 that explore different aspects of the theme migration. “I Am a Native Foreigner” examines migration by focusing on the museum’s collection: what are artists' views on migration, and how do they visualise it in their work? This collection presentation considers the effects of migration on artists both past and present, and reveals how they dealt with, and depicted, the impact of displacement. The title “I Am a Native Foreigner” is taken from a statement made by the Mexican artist Ulises Carrión (1941-1989), who settled in Amsterdam in the 1970s.

The work in “I Am a Native Foreigner” ranges from photographs of Dutch immigrants disembarking at New York’s Ellis Island around 1900, and Surinamese-born Dutch who made their home in the Bijlmer in Amsterdam southeast in the late ‘70s, to more recent images of refugees off the coast of southern Spain.

Stedelijk Museum, Amsterdam


Rineke Dijkstra, Jeff Koons et al.

MoMA at NGV (group show)
National Gallery of Victoria, Melbourne
9 June – 7 October 2018

The National Gallery of Victoria, in partnership with The Museum of Modern Art, New York, will present MoMA at NGV as the Melbourne Winter Masterpieces exhibition in 2018. MoMA at NGV will provide a unique survey of the Museum’s iconic collection. Consisting of approximately 200 key works, arranged chronologically into eight thematic sections, the exhibition will trace the development of art and design from late-nineteenth-century urban and industrial transformation, through to the digital and global present.

The Museum of Modern Art (MoMA) is a renowned institution dedicated to championing innovative modern and contemporary art. The Museum opened in Manhattan in 1929, with the vision to become ‘the greatest modern art museum in the world’. This is reflected in its interdisciplinary collection of almost 200,000 works by over 10,000 artists, shared between six curatorial departments: Architecture and Design, Drawings and Prints, Film, Media and Performance Art, Painting and Sculpture, and Photography.

National Gallery of Victoria, Melbourne


Rineke Dijkstra

Collection Centre Pompidou (group show)
Centre Pompidou, Malaga, from 28 March 2015 - ongoing

Rineke Dijkstra, I See a Woman Crying ( Weeping Woman ), 2009
Rineke Dijkstra, I See a Woman Crying ( Weeping Woman ), 2009

The world famous gallery Centre Pompidou is coming to Malaga. Without doubt the Pompidou art center in Paris is one of the greatest homes of twentieth century art. In line with the arresting appearance of the Pompidou in Paris the Malaga collection will be housed in the large glass cube, built with a cultural purpose in mind and which is situated at the corner which joins Muelle Uno and Muelle Dos of Malaga’s newly renovated port. The new Malaga Pop-Up museum will house a fine selection of its French mother. The museum that is at time of writing under full construction is expected to open on March 28th, just before the touristic season takes off.


Centre Pompidou, Malaga