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Thomas Struth

The Power of Images (group show)
MAST Foundation, Bologna
3 May - 24 September 2017

Thomas Struth, Hot Rolling Mill, ThyssenKrupp Steel, Duisburg 2010, 2010 © Thomas Struth
Thomas Struth, Hot Rolling Mill, ThyssenKrupp Steel, Duisburg 2010, 2010 © Thomas Struth

The MAST Foundation presents an exhibition of images from its collection of industrial photography. Sixty-seven authors from the 1920s up to the present time show, with more than one hundred works – some of which made up of dozens of snapshots – the disruptive power of the photographic language in its many meanings.

The exhibition is a celebration of images, a pictorial epic, a dance of visions from the world of industry which parade before our eyes, a visual abundance of insights into heavy manufacturing, machine industry, digitalisation, and throw-away society. The perspectives of sixty-seven photographers guide us through the realm of production and consumption, showing us the extraordinarily rich visual world of labour, factories and society.

The exhibition traces central spaces in the industrial-technological system, it touches upon social and political questions, but rather than simply identifying hard facts the images attempt to depict more extensive, deeper connections, to present us with complex dimensions, also implying an emotional involvement.

MAST Foundation, Bologna


Additional:

Thomas Struth

Aspen Art Museum, Aspen (solo show)
19 January – 17 June, 2018

Thomas Struth, Front Yard, Tel Aviv 2014, 2014 © Thomas Struth
Thomas Struth, Front Yard, Tel Aviv 2014, 2014 © Thomas Struth

Acclaimed German artist Thomas Struth’s pivotal series on the Middle East is on view in Gallery 1 in its entirety for the first time. The series of eighteen monumental photographs of Israel and Palestine taken between 2009 and 2014 depicts places and people throughout the region, encompassing street views, sites of technological research, and family portraits. Photographing within the political climates of East Jerusalem, Tel Aviv, the Golan Heights, Ramallah, Al-Khalil/Hebron, Nazareth, and Negev, Struth conveys vivid and emotional narratives of place.

Aspen Art Museum, Aspen


Günther Förg, Thomas Struth et al.

German Encounters - Contemporary Masterworks from the Deutsche Bank Collection (group show)
Garage Gallery, Doha Fire Station, Qatar Museums, Doha
3 October 2017 - 20 January 2018

A Major highlight of the Qatar Germany 2017 Year of Culture is a selection of artworks from the Deutsche Bank Collection – one of the world's most important corporate collections of contemporary art – on show at the Garage Gallery at the Fire Station.

More than 100 exemplary works on paper including photographs, and paintings by 27 artists provide an informative overview of the development of German art – and thus also of the history of the country – from the 1960s up to the present day.

Qatar Museums


Thomas Struth

Nature & Politics (solo show)
Saint Louis Art Museum, Saint Louis
5 November 2017 - 21 January 2018

Thomas Struth, Tokamak Asdex Upgrade Interior 2, Max Planck IPP, Garching, 2009 © Thomas Struth
Thomas Struth, Tokamak Asdex Upgrade Interior 2, Max Planck IPP, Garching, 2009 © Thomas Struth

Thomas Struth: Nature & Politics is a photographic exploration of cutting-edge industrial and scientific research spaces. In over 35 works created within the past decade, the celebrated German artist Thomas Struth ambitiously takes technology and engineering as his overarching subject. With vivid color and monumental scale, he investigates the fascinating complexities of sites where knowledge, ambition, and imagination are advanced.

The featured works are drawn from the artist's visits to Europe, America, Asia, and the Middle East. Struth takes viewers into spaces normally kept from public view, such as aeronautical centers, robotics laboratories, and nuclear fusion facilities, examining humanity's attempts to understand and harness forces of nature, often at great cost of resources.

Nature & Politics intersperses Struth's technological subjects with other recent work, including images of the fantasy environments of Disneyland and the war-torn landscapes of the West Bank. This poses intriguing questions about the relationship between nature and humanity in our increasingly fabricated world, as well as drawing attention to the financial and political ambition that underscores the massive technological endeavors of our present day.

Saint Louis Art Museum, Saint Louis


Günther Förg, Thomas Struth et al.

Shared Space: A New Era (group show)
The Aldrich Contemporary Art Museum, Ridgefield
1 October 2017 - 22 April 2018

Günther Forg, Häuser und Fenster: Cité radieuse III, Marseille, 1987 Courtesy the Estate of Günther Förg and Bank of America Collection
Günther Forg, Häuser und Fenster: Cité radieuse III, Marseille, 1987 Courtesy the Estate of Günther Förg and Bank of America Collection

The Aldrich Contemporary Art Museum is pleased to present Shared Space: A New Era, an exhibition of photographs and video from 1987 through 2010 that considers the world’s social, economic, and political climate over the past thirty years and how the growing impact of technology during this time, with radically increased and diversified communication, has introduced a new phase of globalization. This exhibition has been curated by Lillian Lambrechts from the Bank of America Collection and is on loan from its Art in our Communities® program.

Shared Space features contemporary artists from twelve countries: the United States, Great Britain, Canada, Germany, the Netherlands, India, Iran, Italy, Japan, Mexico, the Czech Republic, and Switzerland. These artists capture myriad spaces for communication and interaction—urban and rural landscapes, homes and backyards, city streets and plazas, and ports and terminals. The exhibition’s point of departure is 1987, a seminal year that marks the signing of the Intermediate-Range Nuclear Forces Treaty by Ronald Reagan and Mikhail Gorbachev, and soon thereafter the fall of the Berlin Wall, events marking the end of the Cold War and the beginning of a new age of international exchange.

Sze Tsung Leong’s cityscapes illustrate the impact of a global economy. Thomas Ruff’s and Günther Förg’s photographs show the rapid transformation of the built environment through images of Modernist architecture constructed upon utopian ideals, now derelict and failing to realize its original intention. Photographs by Raghubir Singh, Thomas Struth, and Massimo Vitali depict masses of people gathering in public spaces from Los Angeles to Vietnam, and the Netherlands—expressing an unprecedented universality of access to information. Despite the interconnectivity of this time, a distancing and disconnect remains between individuals and groups, near and afar, as evidenced in Ben Gest’s Jessica & Samantha (2003), family members in close physical proximity who seem deeply psychologically distanced from one another. Shared Space reminds viewers of their place in the world and their role and impact on current global and interpersonal affairs while also provoking them to consider how they will contribute to “shared space” in the future.

The Aldrich Contemporary Art Museum, Ridgefield


Thomas Struth

Figure Ground (solo show)
Haus der Kunst, Munich
5 May 2017 - 7 January 2018

Thomas Struth, Schaltwerk 1, Berlin 2016 © Thomas Struth
Thomas Struth, Schaltwerk 1, Berlin 2016 © Thomas Struth

This exhibition of the renowned German photographer Thomas Struth (born in 1954), presents a comprehensive survey of his genre-defining oeuvre. Covering four decades of work and every phase of his career, the exhibition focuses on Struth's social interests, which represent the important forces of his influential artistic development. Comprised of more than 120 works, this exhibition is the largest survey of his artistic career to date. It brings together never-before-shown early works and collected research material drawn from his archive; these, elucidate the far-reaching and longstanding ideas behind the works and demonstrate the process of his artistic translation up to the perfection of the image.

The survey links these early ideas to well-known work groups such as "Straßen" (Streets), "Unbewusste Orte" (Unconscious Places), "Portraits", "Museumsbilder" (Museum Pictures), "Paradise", and "Audiences". These are placed in dialogue with the slide projection "Nachtprojekt" produced for Skulptur Projekte Münster in 1987, as well as video portraits and other video projections, the recent photographic series from "Nature & Politics", and site-specific works such as "Löwenzahnzimmer" (Dandelion Room), the landscape and flower photographs created for hospital rooms in Winterthur, Switzerland. This interplay highlights the artist’s ability to combine analysis and pictorial invention in multifaceted works and techniques that result in overarching and powerful photographic images.

The exhibition is curated by Thomas Weski and organized by Haus der Kunst.

Haus der Kunst, Munich