clear

Rineke Dijkstra, Rebecca Warren et al.

Für Barbara, curated by Leo Koenig (group show)
Hall Art Foundation I Schloss Derneburg, Derneburg
1 July 2017 - 31 March 2018

Rineke Dijkstra, Hel, Poland, August 12, 1998 © Rineke Dijkstra
Rineke Dijkstra, Hel, Poland, August 12, 1998 © Rineke Dijkstra

The Hall Art Foundation is pleased to announce a group exhibition, Für Barbara, to be held at its Schloss Derneburg location in honor of recently deceased gallerist Barbara Weiss. A lifelong advocate for women in the arts, Weiss was also a friend of the Hall's and inspired the inclusion of many works by female artists in the Hall and Hall Art Foundation collections. The exhibition, curated by Leo Koenig, includes over 90 paintings, sculptures, photographs, installations, works on paper and videos by an international and multi-generational roster of female artists dating from the 1950s to 2017.

''In and beyond her gallery, Barbara advocated for women of all generations and in all positions in the arts. Her calm resolve and unruffled tenacity never overshadowed the self-determination of her artists, or eclipsed the autonomy of their work. With this exhibition, we celebrate a woman who subtly challenged the status quo by introducing ideas that would have been deemed revolutionary were they presented by any other person. The radical was an everyday occurrence with Barbara, because she presented it as fundamental.''
- Leo Koenig

Hall Art Foundation


Additional:

Rineke Dijkstra

"I am a native foreigner" (group show)
Stedelijk Museum, Amsterdam
22 September 2017 - 2 June 2018

The Stedelijk Museum Amsterdam is mounting a series of exhibitions in 2017 and 2018 that explore different aspects of the theme migration. “I Am a Native Foreigner” examines migration by focusing on the museum’s collection: what are artists' views on migration, and how do they visualise it in their work? This collection presentation considers the effects of migration on artists both past and present, and reveals how they dealt with, and depicted, the impact of displacement. The title “I Am a Native Foreigner” is taken from a statement made by the Mexican artist Ulises Carrión (1941-1989), who settled in Amsterdam in the 1970s.

The work in “I Am a Native Foreigner” ranges from photographs of Dutch immigrants disembarking at New York’s Ellis Island around 1900, and Surinamese-born Dutch who made their home in the Bijlmer in Amsterdam southeast in the late ‘70s, to more recent images of refugees off the coast of southern Spain.

Stedelijk Museum, Amsterdam


Rebecca Warren

Anna Fasshauer - Michail Pirgelis - Rebecca Warren (group show)
Kunstverein Reutlingen, Reutlingen
4 March – 13 May 2018


Rineke Dijkstra

Figures in Motion: SPECTRUM International Prize for Photography 2018 (solo show)
Sprengel Museum, Hanover
27 January - 6 May 2018

Rineke Dijkstra, Amy, Liverpool, England, December 23, 2008, 2008 © Rineke Dijkstra
Rineke Dijkstra, Amy, Liverpool, England, December 23, 2008, 2008 © Rineke Dijkstra

With Rineke Dijkstra (born 1959 in Sittard, The Netherlands, lives in Amsterdam), the Foundation of Lower Saxony honours one of today’s outstanding photographers. In its compelling formal as well as contentual logic, in the profundity of the photographic occupation with the classic portrait, Dijkstra’s work assumes a solitary position in the recent history of photography. The artist received the prestigious Hasselblad Award in October 2017 and her œuvre is on view in conjunction with a retrospective organised by the Louisiana Museum of Modern Art in Humlebæk (DK). Dijkstra has been the subject of numerous international exhibitions, for example at the San Francisco Museum of Modern Art, the Solomon R. Guggenheim Museum, New York, and Tate Liverpool.

For her exhibition at the Sprengel Museum Hannover, the artist has developed a format based on a dialogue between a selection of her works with art from the museum’s own collection. The confrontation of photographs from the early 1990s (for example the ‘Beach Portraits’) and recent pieces with paintings by Max Beckmann and Alexej von Jawlensky in addition to a number of modern sculptures reveal an innovative view of the Dutch artist’s specific visual language. The portraits chosen by Dijkstra for her presentation at the Sprengel Museum Hannover clearly show the extent to which her sitters are conscious of the act of being photographed. It is the tension between the ideal of relaxed self-presentation and the tense pose in the photographs, the exhibitionism and the objectification of an attitude made conscious through the optics of the camera that becomes the complex image of an individual.

Rineke Dijkstra views photography as a possibility of dealing with fundamental questions of human existence. In the process, photography represents a means of observation and cognition. Her meticulous outlook with an interest in details that can be relived in her images created with large-format or video camera reveals the constant variability of human existence.

The awarding of the »SPECTRUM« International Prize for Photography of the Foundation of Lower Saxony pays tribute to the style-forming power of her oeuvre and the artistic consequence with which Rineke Dijkstra continues the occupation with the photographic portrait in her filmic works.

Sprengel Museum, Hanover


Rineke Dijkstra

Art Lesson (group show)
Museo Thyssen Bornemisza, Madrid
7 November 2017 - 18 February 2018

Rineke Dijkstra, Ruth Drawing Picasso, Tate Liverpool, UK, 2009, 2009. © Rineke Dijkstra
Rineke Dijkstra, Ruth Drawing Picasso, Tate Liverpool, UK, 2009, 2009. © Rineke Dijkstra

The museum will be completing the exhibition programme organised to mark its 25th Anniversary by inviting visitors to reflect on the educational role of museums in society today through an innovative project curated by the Education Department. Art Lesson will consist of various activities that will take place during the time the exhibition is open to the public and will occupy different spaces in the museum. The project has been conceived as an organic entity which will take shape over time and will make the museum particularly dynamic while it is taking place.

An exhibition featuring the work of contemporary artists such as Antoni Muntadas, Cinthia Marcelle, Dennis Adams, Eva Kot’átková, Dora Garcia, Pavel Kogan, Erwin Wurm, Rineke Djikstra and Pipilotti Rist will look at the issues of where knowledge lies and the museum as a personal experience, aiming to transform the spectator’s experience and place within the museum. For the first time, the museum will also become a space for creation through three artist’s residence grants that will allow the recipients to work alongside the Education Department team during both the preparatory stage and the exhibition itself. This initiative aims to establish links between cutting-edge artistic creation and the museum and between its works and the activities of its educators.

Museo Thyssen Bornemisza, Madrid


Rineke Dijkstra

Hasselblad Award 2017
Hasselblad Foundation Center, Gothenburg
11 October 2017 - 4 February 2018

Rineke Dijkstra, Marianna and Sasha, Kingisepp, Russia November 2, 2014, 2014 © Rineke Dijkstra
Rineke Dijkstra, Marianna and Sasha, Kingisepp, Russia November 2, 2014, 2014 © Rineke Dijkstra

A symposium will be held on October 10 in honor of Rineke Dijkstra, followed by the opening of an exhibition of her work at the Hasselblad Center, as well as the launch of the book Rineke Dijkstra – Hasselblad Award 2017.

The Foundation’s citation regarding the Hasselblad Award Winner 2017, Rineke Dijkstra:

»Rineke Dijkstra is one of the most significant contemporary artists working in photographic portraiture. Her large-scale photographs focus on the thema-tics of identity, typically capturing her subjects at moments of transition or vulnerability. Working in series, Rineke Dijkstra’s images recall the visual acuity of seventeenth-century Dutch portraiture, offering intimate portrayals of her sitters whilst also suggesting the situated aspects of their being. Rineke Dijkstra’s investigations in portraiture also include video. Her fixed-camera video studies yield images that appear to be moving photographs, revolutionizing our understanding of the fluid boundary between the still and moving image.«

Hasselblad Foundation, Gothenburg


Rineke Dijkstra

Collection Centre Pompidou (group show)
Centre Pompidou, Malaga, from 28 March 2015 - ongoing

Rineke Dijkstra, I See a Woman Crying ( Weeping Woman ), 2009
Rineke Dijkstra, I See a Woman Crying ( Weeping Woman ), 2009

The world famous gallery Centre Pompidou is coming to Malaga. Without doubt the Pompidou art center in Paris is one of the greatest homes of twentieth century art. In line with the arresting appearance of the Pompidou in Paris the Malaga collection will be housed in the large glass cube, built with a cultural purpose in mind and which is situated at the corner which joins Muelle Uno and Muelle Dos of Malaga’s newly renovated port. The new Malaga Pop-Up museum will house a fine selection of its French mother. The museum that is at time of writing under full construction is expected to open on March 28th, just before the touristic season takes off.


Centre Pompidou, Malaga