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Jeff Koons, Christopher Wool et al.

Pop Pictures People (group show)
Museum Brandhorst, Munich
30 June 2017 - 30 June 2018


Additional:

Jeff Koons

Heaven and Earth: Alexander Calder and Jeff Koons (group show)
Museum of Contemporary Art, Chicago
21 October 2017 – 31 March, 2019

Jeff Koons, Three Ball Total Equilibrium Tank (Dr. JK Silver Series), 1985. Collection Museum of Contemporary Art Chicago, Gerald S. Elliott Collection, 1995.55.a–k. © Jeff Koons Photo: Nathan Keay © MCA Chicago
Jeff Koons, Three Ball Total Equilibrium Tank (Dr. JK Silver Series), 1985. Collection Museum of Contemporary Art Chicago, Gerald S. Elliott Collection, 1995.55.a–k. © Jeff Koons Photo: Nathan Keay © MCA Chicago

For the MCA’s 50th anniversary, we are bringing together two of the most important artists in the museum’s history, as well as icons of the last 100 years. Heaven and Earth: Alexander Calder and Jeff Koons finds common ground between these seemingly disparate artists, with Alexander Calder’s weightless sculptures nominally representing “heaven” and Jeff Koons’s celebrations of the mundane and concrete as “earth.” This pairing highlights both artists’ interest in playing with balance and gravity to make compelling sculptural statements, while reveling in the contrasts between high art aspirations and mundane material choices.

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In the early 1980s, Koons (American, b. 1954) ushered in an influential new era of art with works that borrow from liquor advertisements or posters of basketball legends, as well as over-the-top celebrations of household goods like vacuum cleaners, in order to redefine the boundaries of taste. His star power was recognized early on and the MCA organized his first museum exhibition in 1988, and revisited his work with a major survey in 2008. Thanks to many generous gifts, the MCA collection holds his work in depth.

This playful and unexpected pairing of two of the most recognized artists of the modern era have an extended presence in the MCA’s galleries and will be updated periodically with substitutions by both artists.

Museum of Contemporary Art, Chicago


Christopher Wool

Being Modern: MoMA in Paris (group show)
Fondation Louis Vuitton, Paris
11 October 2017 - 5 March 2018

The Museum of Modern Art (MoMA) and Fondation Louis Vuitton announce the first comprehensive exhibition in France to present MoMA’s unparalleled collection: "Being Modern: MoMA in Paris", on view at Fondation Louis Vuitton from October 11, 2017, through March 5, 2018.
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Established in 1929, The Museum of Modern Art was one of the first museums devoted exclusively to the visual arts of the time. ''Being Modern: MoMA in Paris’’ represents the wide range of artworks that MoMA has acquired over the decades, ranging from the early defining movements of the modern art period to Abstract Expressionism, Minimalism, Pop art and digital works of art.

Fondation Louis Vuitton, Paris


Jeff Koons

We are Everywhere (group show)
Museum of Contemporary Art Chicago, Chicago
21 October 2017 - 28 January 2018

Jeff Koons, Rabbit, 1986  © Jeff Koons Photo: Nathan Keay © MCA Chicago
Jeff Koons, Rabbit, 1986 © Jeff Koons Photo: Nathan Keay © MCA Chicago

We Are Everywhere, showcases artists who borrow from popular culture—soup cans, movie stills, neon signage, or floor tiles—to critique its workings. Artists such as Andy Warhol, Robert Rauschenberg, and Bruce Nauman, as well as Chicago Imagists Karl Wirsum and Roger Brown, re-present and reveal social realities that may otherwise go unnoticed. Artists such as Stan Douglas, Cindy Sherman, Gillian Wearing, Jeff Koons, and others have engaged with new forms of media to extend the reach of their own viewpoints and experiences. Barbara Kruger and Lawrence Abu Hamdan further encourage us to think twice about the power structures in which we invest, be they the notion of the state or the corporation.

Museum of Contemporary Art Chicago, Chicago


Christopher Wool

Unpacking: The Marciano Collection (group show)
The Marciano Art Foundation, Los Angeles
25 May - 24 December 2017

The inaugural exhibition of The Maurice and Paul Marciano Art Foundation draws from the Foundation’s collection of over 1,500 artworks, bringing together an international, multigenerational roster of artists who are among contemporary art’s leading creative and critical voices. With the rise of Los Angeles as one of the twenty-first-century’s global centers for artistic practice, the Marciano Art Foundation has a vision to transform the former Scottish Rite Masonic Temple into a forum dedicated to this thriving community.

Conceived and organized by guest curator Philipp Kaiser, UNPACKING takes its title from German philosopher Walter Benjamin’s 1931 essay, “Unpacking My Library: A Talk about Book Collecting.” Benjamin’s text emphasizes that any order is a balancing act of extreme precariousness. UNPACKING showcases the breadth and depth of the collection while simultaneously creating a loose order where a multitude of meanings collide with a historic site, exposing unpredictable connections. Two underlying thematic threads lead the viewer through the walls of the temple: one focusing on works that emphasize the process of their creation and another to the artists’ archaeological impulses. The abundance of process-based works connects the artists in the collection to an artistic legacy that characterized much of the art of the late 1960s, while the archaeological impetuses point to a prevailing tendency by artists to operate in an investigative mode, mining complex ideas of the artwork’s site and temporality.

The Marciano Art Foundation, Los Angeles