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Jeff Koons, Christopher Wool et al.

Pop Pictures People (group show)
Museum Brandhorst, Munich
30 June 2017 - 30 June 2018


Additional:

Christopher Wool

Être moderne: Le MoMA à Paris (group show)
Fondation Louis Vuitton, Paris
11 October 2017 - 5 March 2018

The Museum of Modern Art (MoMA) and Fondation Louis Vuitton announce the first comprehensive exhibition in France to present MoMA’s unparalleled collection: "Être moderne: Le MoMA à Paris", on view at Fondation Louis Vuitton from October 11, 2017, through March 5, 2018.

Fondation Louis Vuitton, Paris


Jeff Koons

We are Everywhere (group show)
Museum of Contemporary Art Chicago, Chicago
21 October 2017 - 28 January 2018

Jeff Koons, Rabbit, 1986  © Jeff Koons Photo: Nathan Keay © MCA Chicago
Jeff Koons, Rabbit, 1986 © Jeff Koons Photo: Nathan Keay © MCA Chicago

We Are Everywhere, showcases artists who borrow from popular culture—soup cans, movie stills, neon signage, or floor tiles—to critique its workings. Artists such as Andy Warhol, Robert Rauschenberg, and Bruce Nauman, as well as Chicago Imagists Karl Wirsum and Roger Brown, re-present and reveal social realities that may otherwise go unnoticed. Artists such as Stan Douglas, Cindy Sherman, Gillian Wearing, Jeff Koons, and others have engaged with new forms of media to extend the reach of their own viewpoints and experiences. Barbara Kruger and Lawrence Abu Hamdan further encourage us to think twice about the power structures in which we invest, be they the notion of the state or the corporation.

Museum of Contemporary Art Chicago, Chicago


Jeff Koons

Some Aesthetic Decisions: A Centennial Celebration of Marcel Duchamp's Fountain (group show)
NSU Art Museum, Fort Lauderdale
14 May - 3 September 2017

One hundred years ago, Dada artist Marcel Duchamp forever changed the nature of art when he submitted Fountain, a porcelain urinal signed R. Mutt for the Society of Independent Artists exhibition in New York (April 9, 1917). This exhibition was an open call to artists in which any submission would be shown. Duchamp, who was on the Society’s board, tested the limits of the organization’s guidelines by anonymously submitting what would become his most famous readymade (an ordinary manufactured object that he designated as a work of art). The subsequent rejection of Duchamp’s Fountain by the exhibition’s organizers ignited a controversy that continues today about the definition of art and who gets to pass judgment.

NSU Art Museum Fort Lauderdale marks this landmark 100th anniversary with the exhibition Some Aesthetic Decisions: A Centennial Celebration of Marcel Duchamp’s Fountain. On view from May 14 – September 3, 2017, it features works by artists including Duchamp, Cory Arcangel, John Baldessari, Sophie Calle, Judy Fiskin, Sherrie Levine, Jeff Koons, Jorge Pardo, Francis Picabia, Julian Schnabel, Andy Warhol, Kara Walker and others in a variety of mediums that address issues of beauty, value and judgment. The exhibition is organized by NSU Art Museum Fort Lauderdale.

The exhibition addresses the multiple issues Fountain raised regarding aesthetics, including the act of making value judgements, the difference between taste and aesthetics, and whether everyone has the capacity to be receptive to the aesthetic condition of works of art. Works in the exhibition that are key to these issues include John Baldessari’s photographic book Choosing Green Beans, 1974, which demonstrates the randomness of aesthetic judgment; Sophie Calle’s The Blind, 1986, a series of photographs in which she asked individuals blind from birth to describe something beautiful, which she then photographed; Andy Warhol’s 1964 Brillo Soap Pads Box, Heinz Tomato Ketchup Box, Campbell’s Tomato Juice Box and Del Monte Peach Halves Box, replicas of commercial packaging that question the valuation of art; and Jeff Koons’ sculptures, Balloon Dog (Blue), 1994-2000 and Inflatable Flower and Bunny (Tall White and Pink Bunny), 1979, that combine fine craftsmanship with kitsch subjects.

NSU Art Museum, Fort Lauderdale


Christopher Wool

Unpacking: The Marciano Collection (group show)
The Marciano Art Foundation, Los Angeles
25 May - 24 December 2017

The inaugural exhibition of The Maurice and Paul Marciano Art Foundation draws from the Foundation’s collection of over 1,500 artworks, bringing together an international, multigenerational roster of artists who are among contemporary art’s leading creative and critical voices. With the rise of Los Angeles as one of the twenty-first-century’s global centers for artistic practice, the Marciano Art Foundation has a vision to transform the former Scottish Rite Masonic Temple into a forum dedicated to this thriving community.

Conceived and organized by guest curator Philipp Kaiser, UNPACKING takes its title from German philosopher Walter Benjamin’s 1931 essay, “Unpacking My Library: A Talk about Book Collecting.” Benjamin’s text emphasizes that any order is a balancing act of extreme precariousness. UNPACKING showcases the breadth and depth of the collection while simultaneously creating a loose order where a multitude of meanings collide with a historic site, exposing unpredictable connections. Two underlying thematic threads lead the viewer through the walls of the temple: one focusing on works that emphasize the process of their creation and another to the artists’ archaeological impulses. The abundance of process-based works connects the artists in the collection to an artistic legacy that characterized much of the art of the late 1960s, while the archaeological impetuses point to a prevailing tendency by artists to operate in an investigative mode, mining complex ideas of the artwork’s site and temporality.

The Marciano Art Foundation, Los Angeles


Jeff Koons

Eternal Youth (group show)
Museum of Contemporary Art, Chicago
11 March - 23 July 2017

Eternal Youth explores the concept of coming-of-age as a crossroads in art history: how have artists represented youth since the twentieth century? In particular, since the 1990s, images of youth in the western world have elicited both desire and fear, responding to social, cultural, and political shifts such as HIV awareness and gender bending transition. This exhibition examines the different ways youth is portrayed—as simultaneously innocent and desirous—revealing the treatment of young bodies as sexualized, radical, and medicated objects.

Museum of Contemporary Art, Chicago