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Albert Oehlen, Christopher Wool et al.

Progressive Praxis (group show)
de la Cruz Collection, Miami
29 November 2016 - November 2017

Progressive Praxis considers the impact of preceding art movements and the way contemporary artists conceptually engage with the advancements of technology. Our society is conditioned to create, disseminate, and alter information as it sees fit. The use of computers as a method of executing work is no longer a game changer for artists, as there are no traditional boundaries between the virtual and physical. Artists today embrace technology to overcome the limitations of physicality and past formal art processes. The artists selected for this year’s exhibition, reveal a generational position that is inherent to an artistic idea and the language of their time.

The architecture of the galleries was taken into consideration in framing this exhibition.

de la Cruz Collection Miami


Additional:

Christopher Wool

Unpacking: The Marciano Collection (group show)
The Marciano Art Foundation, Los Angeles
25 May - 24 December 2017

The inaugural exhibition of The Maurice and Paul Marciano Art Foundation draws from the Foundation’s collection of over 1,500 artworks, bringing together an international, multigenerational roster of artists who are among contemporary art’s leading creative and critical voices. With the rise of Los Angeles as one of the twenty-first-century’s global centers for artistic practice, the Marciano Art Foundation has a vision to transform the former Scottish Rite Masonic Temple into a forum dedicated to this thriving community.

Conceived and organized by guest curator Philipp Kaiser, UNPACKING takes its title from German philosopher Walter Benjamin’s 1931 essay, “Unpacking My Library: A Talk about Book Collecting.” Benjamin’s text emphasizes that any order is a balancing act of extreme precariousness. UNPACKING showcases the breadth and depth of the collection while simultaneously creating a loose order where a multitude of meanings collide with a historic site, exposing unpredictable connections. Two underlying thematic threads lead the viewer through the walls of the temple: one focusing on works that emphasize the process of their creation and another to the artists’ archaeological impulses. The abundance of process-based works connects the artists in the collection to an artistic legacy that characterized much of the art of the late 1960s, while the archaeological impetuses point to a prevailing tendency by artists to operate in an investigative mode, mining complex ideas of the artwork’s site and temporality.

The Marciano Art Foundation, Los Angeles