clear

Raymond Hains

Celebrating New Realism (group show)
40th anniversary of Centre Pompidou
Les Abattoirs, FRAC Midi-Pyrénées, Toulouse
2 February - 28 May 2017

Artists include: Arman, Ben, César, Gérard Deschamps, François Dufrêne, Raymond Hains, Horst Egon Kalinowski, Yves Klein, Robert Malaval, Robert Rauschenberg, Jean-Pierre Raynaud, Martial Raysse, Mimmo Rotella, Niki de Saint Phalle, Daniel Spoerri, Richard Stankiewicz, Jean Tinguely, Jacques Villeglé, Gil Joseph Wolman, and M.A.T. Editions.

The Nouveau Realisme movement began in Yves Klein’s studio in 1960, where Pierre Restany brought together a group of artists whose collective singularity was "Nouveau Réalisme—new ways of perceiving the real”. Arman, César, François Dufrêne, Raymond Hains, Yves Klein, Martial Raysse, Daniel Spoerri, Jean Tinguely, and Jacques Villeglé all signed the manifesto, joined by Niki de Saint Phalle, Gérard Deschamps, César, and Mimmo Rotella the following year, and later Christo.

The group offered an alternative to the Abstract wave which followed the Second World War and quickly became a major trend in Avant Garde throughout France and Europe. Nouveau Réalisme’s perspective on the object and gesture joined the change that was happening internationally throughout the world of art (Néo-Dada, Fluxus, Pop art, groupe Zéro...)

Like Pop Art, Nouveau Réalisme addressed the rise in industrialisation and consumerism in society. Drawing material for their works from the daily life of the early 1960s, Nouveau Realists used everyday objects, adverts, posters, junk, neon lights... Their works were however dense and radical, marked by action and movement; destroying, ripping, compressing, assembling, sticking, tearing, stretching, stamping, and wrapping. Each artist had their own particular method of creating a "poetic recycling of urban, industrial and advertising reality". Arman had his accumulations and destructions, César; expansions and compressions, Hains and Villeglé; décollage (torn poster technique), Yves Klein; monochromes and performance art, Raysse; assemblage and transfigurements, Spoerri; snare-pictures, Tinguely; sculptural machines or metamechanics, and Niki de Saint Phalle her Tirs and Nanas.

The diversity and vitality of Nouveau Réaliste works will be showcased at les Abattoirs in a journey into the heart of the movement; accompanied by films, the exhibition will highlight how much the group has influenced public space, and our lives. You’ll see the militant, often comical side to the works, many of which are on loan from the Pompidou Centre and Tiguely museum (Basel). To complete this unique show, some works by artists close to the movement (Malaval, Raynaud, Rauschenberg, etc.) will be included.

Les Abattoirs, Toulouse


Additional:

Raymond Hains, Richard Prince et al.

On Aime l’Art…!! (group show)
Collection Lambert en Avignon, Avignon
6 July - 5 November 2017

While exhibitions have already revealed some of the major works collected by clothes designer agnès b. for over thirty years, the idea of carrying out her multi-faceted portrait project was never conceived on this scale. Both designer, and director of a film selected at the Venice Mostra, My name is Hmmmm, intimately linked with the world of music, patron of the arts agnès b. has been, above all, a great discoverer of artists since the opening of the agnès b. Galerie du Jour in 1983.

Sharing the same passion for art, the same love of creation and individuals involved with the most sensitive aspects of life, agnès b. and Yvon Lambert connect on so many levels both through their intense involvement with the artists they are involved with, and also because of their eclectic nature and avant-garde vision, making them witnesses of the times they live in.

So, it’s no surprise that 400 works from the agnès b. collection now adorn the spaces of our institution, like so many witnesses drawing a portrait of this woman freed from all convention and a collection focussed on the avant-garde, including works acquired to be shared.

This exhibition takes the form of a journey of the senses and is organised around great artists she has often been the first to collect, and also worldly relationships or unusual aesthetics and strong ideas that seem like happy obsessions.

Just as commitment and politics permeate agnès b’s. own journey through and through, they will make their mark on the entirety of this exceptional presentation. Painting, love, reverie, music, experimental cinema, adolescence, modernity, the avant-garde, the transcending of established borders, whether physical, social or mental, Africa – these are all aesthetic landscapes offered to the visitor to explore through the richness and diversity of the exhibited works, crossed by the need for total commitment to the experience of life and the struggle for freedom.

Collection Lambert en Avignon, Avignon


Raymond Hains

It's More Fun to Compete (group show)
Musée d'Art Contemporain, Marseille
13 May 2017 - 14 January 2018


Raymond Hains, Ernesto Neto et al.

Vive Arte Viva, 57th Venice Biennale (group show)
Arsenale and Central Pavilion, Giardini, Venice
13 May - 26 November 2017

The Exhibition offers a route that unfolds over the course of nine chapters or families of artists, beginning with two introductory realms in the Central Pavilion, followed by another seven across the Arsenale through the Giardino delle Vergini. 120 are the invited artists from 51 countries; 103 of these are participating for the first time.

«La Biennale must present itself as a place whose method—and almost raison d’être—is dedicated to an open dialogue between artists, and between artists and the public.»

Biennale di Venezia