Timescape (solo show)
MUDAM, Luxembourg, 11 February - 14 May 2017
Exploring how these different dimensions intersect and how we “inhabit” them, many of his artworks testify to his interest in subjective, liminal experiences, playing on the foundations of our perception and knowledge. Devised as a “temporal landscape” deploying all facets of his practice – photographs and videos along with sculptures, paintings and textual pieces – his exhibition at Mudam Luxembourg combines motifs such as the universe, shadow, polar glaciers, the cycle of the seasons, and our position “between the fire of the rock and the fire of the sun”. It highlights how, in his work, different time scales resonate – whether cosmic, geological, historical or personal.
Tidalectics (group show)
TBA21 - Thyssen-Bornemisza Art Contemporary Academy, Vienna
2 June - 19 November 2017
...like the movement of the ocean she’s walking on, coming from one continent/continuum, touching another, and then receding (‘reading’) from the island(s) into the perhaps creative chaos of the(ir) future... – Kamau Brathwaite
Tidalectics is an oceanic worldview, a different way of engaging with the oceans and the world we inhabit. Unbound by land-based modes of thinking and living, the exhibition is reflective of the rhythmic fluidity of water and the incessant swelling and receding of the tides.
TBA21–Academy’s first exhibition, Tidalectics, presents thirteen standout artists whose distinctive works cast oceanic perspectives on the cultural, political, and biological dimensions of the oceans, some examining the effects of human-made issues such as climate change and sea-level rise, and others reimagining human and “more-than-human” relationships. Tidalectics will comprise nine newly commissioned works, many flowing from the Academy’s expeditions in the Pacific Ocean, alongside exceptional pieces from the Thyssen-Bornemisza Art Contemporary (TBA21) collection.
Taking its title from a play on words by the celebrated Barbadian poet-historian Kamau Braithwaite, Tidalectics seeks to comprehend our histories as trajectories tossed by waves, from ocean crossings to systems of exchange, myths, and microbial origins. The exhibition will highlight processes of cultural adaptation and material change, presenting a rich framework for understanding the coalescing polarities of contemporaneity and history, science and poetics, routes and roots, and ourselves—mostly land-dwelling humans—with the oceans and their many and diverse inhabitants.
Darren Almond’s video A (2002) from the TBA21 collection presents an Antarctic world of infinite whites devoid of human presence, accompanied by a sound track that alternates between dreamy serenity and blood-thumping menace.
Darren Almond, Thomas Struth et al.
The Garden - End of Times; Beginning of Times: #1 The Past (group show)
8 April - 10 September 2017
In 2017, ARoS presents the first triennial entitled THE GARDEN – End of Times; Beginning of Times. The exhibition will extend over two entire galleries at the museum as well as carefully selected locations in the urban landscape, and a coastal stretch along the bay bordered by woodland just south of the city. This will create an art zone spanning more than four kilometres.
The Past at ARoS examines the landscape and man’s relationship with nature seen from an artistic and ideological perspective in a gigantic exhibition on 2 floors.
Man in the Mirror (group show)
Vanhaerents Art Collection, 24 April 2014 - 28 October 2017
The Vanhaerents Art Collection is pleased to announce its third exhibition, entitled Man in the Mirror, which will be open to the public from May 3,2014 . For this presentation, the founder and patron of the collection – the former building contractor Walter Vanhaerents – joined forces with Emma Dexter, who in recent years has curated widely acclaimed shows forICAand Tate Modern.
Set to run for a period of three years, the exhibition Man in the Mirror features a selection of over 40 largescale works from the Vanhaerents Art Collection. On display are paintings, sculptures and installations that incorporate mirrors or reflecting materials, as well as artworks that hold a mirror up to the audience, encouraging introspection, critical self-awareness and reflective thought.
With a nod to the eponymous comedy film from 1936 and Michael Jackson’s famous song, this thematic exhibition extends over three floors. Combining recently created artworks with seminal, historical exponents of arte povera, Conceptualism and Neo-Geo, it covers a wide array of topics such as time and space, matter and mind, and individual and collective identity. Concurrently, it raises intricate questions about art, society and the human body. (press release Vanhaerents Art Collection)
Vanhaerents Art Collection, Brussels